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Joan Mitchell and Georges Mathieu
ephemeral color fields
Nehrling explores youthful disregard for danger
Despite was inspired by the view outside the windows of Nehrling's studio which was entirely filled by the branches of five lush maple trees during the summer months
Au bord de la mer Spraypaint on Canvas Joan Mitchell and Georges MathieuColor and luminosity define the work of Greet Helsen. Her paintings are best described as abstract landscapes, informed by her memories of personal encounters with nature. Working not from a precise recollection of forms, but rather from impressions of colors, shapes, lines and light, Helsen begins each new painting by carefully mixing and diluting her acrylic paints, seeking not only the perfect hue but also the perfect level of translucency. Each
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