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Panas notes: “While my subjects do in actuality turn their gaze towards me
and even a series on California highway patrolmen
Ari Marcopolous' radical and raw aesthetic has been a huge influence in photography and visual culture since the 1980s
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Brassai in America ECN-2 Panas notes: “While my subjectsA rare discovery of more than 150 previously unpublished photographs in black and white and in color, from a legendary photographer. Despite strong personal and professional ties in the U. S. Henry Miller, Harper's Bazaar's Carmel Snow, and Edward Steichen, who featured Brassai's work in many MoMA exhibitions Brassai remained reticent about travel to the U. S. until 1957 when Holiday magazine offered generous compensation (and artistic freedom) to
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